For more than three decades, Mike has worked directly
with patent drawings—creating figures, interpreting
technical source material, responding to revisions,
and helping turn inventions into clear visual
representations for patent applications.
That work provided a close view of both sides of the
patent-figure process: the specialized drafting work
itself and the communication that takes place between
inventors, attorneys, patent agents, support
professionals, and drafters.
Over time, a recurring gap became difficult to ignore.
Patent professionals depended heavily on figures, but
many had never been given a practical system for
working with those figures directly.
IP DaVinci grew from the effort to close that gap—not
by replacing professional patent drafting, but by
making more of its practical knowledge accessible,
teachable, and usable.